C6 趙孟頫：閒居賦

趙孟頫: 閒居賦

趙孟頫（1254－1322），湖州人。字子昂，號松雪道人。宋宗室後裔，入元後仕至翰林學士承旨。工書善畫，冠絕一時。其書初學宋高宗，後取則鍾繇及羲獻，晚年復留意李北海，為元代書壇領袖。是卷筆法優美，結體淳古，具有溫雅秀逸之美。

趙孟頫：閒居賦

詩文書画ともに元朝に冠絶した天才趙孟頫の、晩年ゆるぎない超俗の心境をうかがう逸品。個性偏重の宋代以降の書をしりぞけ、晋唐の正統への復帰を提唱した孟頫の到りえた至高の境地を示します。優美な筆致と厳然たる構成、穏やかな美しさをたたえて澄みわたっています。

Chao Meng-fu : Ode to Hsien-chu

Chao Meng-fu (1254-1322), Tzu-ang by style name, was active in the Yuan dynasty when traditional culture was stagnant. He advocated the reactionism of rejecting Sung and returning to the legitimacy of the Chin and T'ang dynasties, and became the most prominent calligrapher of the Yuan dynasty. This work, executed by an elegant use of the brush and filled with graceful elegance in its coherence and faithfulness to the ancient style, is the preeminent masterpiece produced late in his life.