P11 倪瓉：容膝斎図

倪瓉: 容膝斎圖

倪瓚（1301－1374），無錫人。字元鎮，號雲林。性澹泊，好讀書，詩文風靡一時。信奉道教，後參禪學，晚年棄田宅求舟放情山水。是軸為雲林七十二歲時所畫，寫贈其友檗軒，檗軒藏之三年，又寄贈醫師仲仁，請雲林補詩，容膝齋即仲仁居處。通幅筆墨雅淡，顯示雲林本色。

倪瓉：容膝斎図

倪瓉は元末四大家の一人。本図はその六十八歳、世に名高い逸品です。倪瓉の、渇筆を多用して着色せず、寂寥無人の景を描く山水は蕭散体とよばれますが、簡遠にして気韻たかく、文人精神のたどりついた至高無二の境地が示されています。後代への影響も測り知れません。

Ni Tsan : The Jung-hsi Studio

Ni Tsan (1301-1374) was a native of Wu-hsi, Kiangsu province. His style name was Yuan-chen and his sobriquet was Yun-lin. His character and conduct were pure and upright, he liked to read, followed Taoism, probed into Ch'an Buddhist studies, and was celebrated during his times for his poetry and prose. In his late years he abandoned his fields and residence, obtained a small boat, and spent his life on lakes and rivers. This work, produced when Ni Tsan was seventy-two, was painted for his friend Po-hsuan. It is a masterpiece indicating the sublime state of literati painting in its use of the dry brush and strokes utilizing the side of the brush.

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