SR8 八大山人：花鳥山水冊

八大山人: 花鳥山水冊

八大山人的花卉畫，繼承明徐渭之畫法，山水畫取法明董其昌，創出自己的特色。此部畫冊，畫題雖然不稀奇，但構圖新奇大膽，筆墨率意清逸。用一隻腳站著的鵪鶉的如白眼向人的眼光，露出明朝遺民的獨立不和之氣。此部畫冊與「安晚冊」（日本泉屋博古館）同一年所作，都是八大山人成熟期的傑作。﹙上海博物館藏﹚

1　雛鳥圖
2　芙蓉圖
3　菊花圖
4　鵪鶉圖
5　荷花圖
6　鴝鵒圖
7　山水圖
8　山水圖
9　吳昌碩跋

八大山人：花鳥山水冊

八大山人の水墨画は、花卉雑画を明の徐渭から、山水画を董其昌から受け継ぎ、極めて独自な画風を形成しました。この冊はさり気ない主題を描きながら、構図は新奇大胆、筆法は奔放で、墨色はきめ細かく、わずか一尺の小図にもかかわらず、生き生きとした気勢が感じられます。（上海博物館蔵）

1　雛鳥図
2　芙蓉図
3　菊花図
4　鵪鶉図
5　荷花図
6　鸜鵒図
7　山水図
8　山水図
9　呉昌碩跋

Pa-ta-shan-jen : Album of Flowers and Landscapes

Pa-ta-shan-jen created an extremely original style of painting by inheriting Hsu Wei's bird-and-flower painting style and Tung Ch'i-ch'ang's landscape painting style, both of whom are Ming dynasty painters . This album contains paintings of unpretentious subjects which are depicted with daringly unique compositions and free brush strokes that result a pure and untrammeled atmosphere. The artist's independence and dissension as a member of the fallen Ming imperial court can be sensed in the expression of the eye of the bird standing on one leg. This work was created during the height of his career. ( Collection of the Shanghai Museum )

1 Chick
2 Mallow
3 Chrysanthemum
4 Quail
5 Lotus
6 Myna
7 Landscape
8 Landscape
9 Inscription by Wu Ch'ang-shih