P8 馬遠：雪灘双鷺図

馬遠: 雪灘雙鷺圖

馬遠（12世紀中葉－13世紀上葉），河中人。號欽山。與夏圭同為南宋畫院後期的著名畫家。畫學李唐，精於山水，用焦墨畫樹石，以大斧劈帶水墨為皴。畫峭峰直上不見其頂，或絕壁直下不見其腳，風格獨特，世稱「馬一角」。是軸通幅靜穆之韻，為馬遠畫中精品。

馬遠：雪灘双鷺図

馬遠は夏圭とともに南宋画院の後期を飾る重要な画人。雪の積もった崖に突きだした枯木、流れの左右に寒さに耐える白鷺が四羽。震わせた描線と巧みなぼかし。直下する絶壁の脚部を略す独特な構図から、世に馬一角の称がありますが、清謐な情趣におおわれた稀有の精品です。

Ma Yuan : Egrets on a Snowy Bank

Ma Yuan (second half of the twelfth century to the first half of the thirteenth century), Ch'in-shan by sobriquet, was a native of Ho-chung, Shansi province. He gave glory to the latter phase of the Southern Sung Imperial Painting Academy together with Hsia Kuei. A follower of Li T'ang's style, he excelled in landscape painting, in which he imparted his unique character in the trees and rocks executed with burnt ink. He was called "One-cornered Ma" for his expression of abbreviating the peak when depicting mountains or omitting the scenery under cliffs. This work is Ma Yuan's masterpiece full of serenity and clearly indicating his characteristics.