P10 王蒙：具区林屋図

王蒙: 具區林屋圖

王蒙（1308－1385）吳興人。字叔明，號香光居士、黃鶴山樵。趙孟頫外孫。畫受孟頫影響，後學黃公望，出入唐宋名家而自創新意。畫山水獨創渴筆解索皴，喜用紙而罕用絹。是軸布景滿幅，開山水構圖之奇局，用筆老辣樸實，是山樵極精之作。

王蒙：具区林屋図

王蒙は元末四大家の一人。具区とは太湖のこと。その一角、重畳たる山々、霜林の屋宇、山際の岸辺を、新奇な構図と繊細華麗な筆致で描きあげます。山肌の渇筆の筆法は解索皴とよばれ、王蒙の創始にかかります。濃厚な味わいのうちにも清楚な趣をたたえた、王蒙最精の一作。

Wang Weng : Lin-wu Grotto at Chu-ch'u

Wang Meng (1308-1385) was a native of Wu-hsing, Chekiang province. His style name was Shu-ming, and his sobriquets were Hsiang-kuang chu-shih and Huang-ho shan-ch'iao. He was the grandson of Chao Meng-fu on his mother's side. He was influenced by Chao Meng-fu's painting, but later studied T'ang and Sung painting to create a novel style and developed a unique composition in landscape painting Chu-ch'u refers to Lake T'ai. The work, in which the chieh-so ("unraveled rope") texture strokes said to be originated by him are freely used, is a masterpiece that is brimming with the atmosphere of the luxuriant yet simple, and the opulent yet trim.

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